Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Banner Left
Banner Right

‘Black Mirror’ is Back

The technological future is grimmer than ever in the highly anticipated fourth season of ‘Black Mirror’.

Leaving the warmth and fuzz of ‘San Junipero’ firmly in the dust outside the ‘Black Museum’, Charlie Brooker’s latest continues in his theme of the perils of technology in six solid new episodes.

Ladling a heady mix of killer robot dogs, creepy childhood surveillance implants, memory recall devices and immersive dating apps into our outstretched binge bowls, ‘Black Mirror’ begins with arguably the best episode of the season.

Starring ‘Friday Night Lights” Jesse Plemons, ‘Westworld”s Jimmi Simpson and ‘Chewing Gum”s Michaela Coel, ‘USS Callister’ imagines the revenge of a brilliant nerd constantly belittled by his co-workers.

Smart, spoofy and entirely satisfying, the first episode is about as lighthearted as it gets with ‘Hang the DJ’ coming in a definite second after the Jodie Foster directed but predictable ‘Arkangel’ and the harrowing ‘Crocodile’.

Bleakly mining the depths of Nordic Noir, ‘Crocodile’ introduces the technology that will be everyone’s undoing a way into the episode. A device that can access one’s memories used in criminal cases and insurance claims. Though Brooker’s world building is fast becoming a thing of legend, one can’t help compare this technology to the memory recall tech in ‘The Entire History of You’. A far more palatable episode than ‘Crocodile’ which suffers from unconvincing leaps towards the homicidal in the main character’s arch.

Just as unsettling is ‘Metalhead’ which envisions a world in which robot dogs hunt humans in a desolate, dystopian future. Scant on dialogue and backstory, shot moodily in black and white and based on the real life Boston Dynamics’ robot dogs, ‘Metalhead’ is perhaps the most aesthetic of the anthology in a season in which the misses outweigh the hits.

Speaking of the latter, this season ends with ‘Black Museum’. An Easter egg filled retrospective, world expansion and stand-alone story all rolled into one. Starring Letitia Wright in a house of horrors episode alongside Douglas Hodge, ‘Black Museum’ is an episode for the fans as Brooker returns to serve up diverse casts and original stories while bending minds the way only he can.

‘Black Mirror (2017)’ season four is now streaming on Netflix.

Stay informed with The Namibian – your source for credible journalism. Get in-depth reporting and opinions for only N$85 a month. Invest in journalism, invest in democracy –
Subscribe Now!

Latest News